All pieces submitted to the 500 Words Malala Competition
One: A Beautiful Disaster by Rose W
An apocalyptic narrative set six minutes before the end
of the world.
Jacob tears through the dump without looking back, the
adrenaline in his veins numbing the agony in his foot. He can hear the seconds
counting down, the time running out. He wills himself to run faster. But the
dump doesn't want him to leave. It reaches out - long, rusting fingers which
swipe at his clothes, his skin, at anything to pull him back. He lets his legs
guide him, but it's a labyrinth with no exit. Every dead-end he meets erodes
away a little more of his hope.
He comes to a mountain of waste, towering over him like a wave threatening to
crest and swallow him whole. He doesn't hesitate. Keep moving. Smaller
pieces of rubbish break away and clatter to the dry, cracked earth below
beneath his desperate touch. Don't look back. Sheets of metal and wood
slide underneath his weight. His heart leaps into his throat. Get to the top.
He can see it, the end of the slope, one last push and he'll see the way out. One
last push. He hauls himself over the edge and-
He stops running.
He looks at the world.
And his heart sinks.
In six minutes, the ships leave Earth for the last time,
taking humanity to find a paradise far away from the one they destroyed. He
thought if he ran, he might just make it but... well, who was he kidding,
really?
Jacob's foot throbs painfully. Glancing down, he notices warm, red liquid
seeping through the torn shirt sleeve bandaged around his ankle.
Again, he surveys the land, although this time no longer with the eyes of
someone trying to leave, but with the eyes of someone who knows they're staying.
All is silent.
The apocalypse, Jacob thinks, is a beautiful disaster.
The dump is an ocean, perfectly still and eternal. The newer
additions stand out like vibrant corals, a stark contrast to the older objects,
drained of life by Time's dying hand. No, not an ocean, Jacob thinks,
perceiving the various twisted, abstract shapes protruding from the ground. Not
an ocean, a sculpture garden. Art made from skeletons, shells of objects devoid
of their former meaning. What a tragic thing, to be surrounded by so many
beloved objects reduced to nothing but decay.
Jacob drops to the ground, stretching his injured leg out in
front of him, and looks at the sky. Scarlet light breaks through the idle
clouds, thick and black from pollution. When Jacob breathes, the air filling
his lungs is heavy with the pungent smell of the dump, but there's something
else there too, a familiar, warm smell. Summer. The sweet scent of a long,
summer evening making one final effort to push through the smog.
On the horizon, Jacob can just about make out a streamline
shadow, leaving this world and taking the human race to find a new paradise on
another planet. Jacob closes his eyes and lets the silence wash over him.
And then the sky falls.
Two: The First Snow by Rose W
A descriptive piece about snow.
The boy is walking home when the first flakes fall. Hood up,
eyes down, his mind a hurricane. He has never much liked the night; the cold
and silent tension laces the air like static on his skin. But he's not far from
home now, he can see the amber lights flickering through the kitchen window - a
golden torch against the velvet night.
He passes trees already studded with glowing rubies and emeralds in preparation
for the oncoming festivities. He passes icicles of diamond, crystalline and
glistening in topaz-yellow porch lights. He passes bushes layered with the
silver sheen of frost and ice, the world's coat against the winter onslaught.
And then it happens.
A single flake lands on the sleeve of his coat, intricate and perfect for only a
moment before dissolving, again, into nothing.
The boy stops walking.
And he watches.
The world stands still to spectate winter's graceful dance, a careful ballet
performed to a silent and secret song known only by her. It starts with a few
tentative snowflakes, swirling shyly from their clouded residence, but soon the
whole cast dances, soft and heavy ice burning in streetlight halos, both
beautiful and mysterious. And, suddenly, nothing matters anymore. It does not
matter that he didn't do great in that chemistry test. And it does not matter
that the pretty girl from maths doesn't know his name. And it would not even
matter if the world was ending and he was the last boy alive. Because winter is
here. And perhaps tomorrow she will bring her cold and frosted malice to this
ice-shrouded town. And perhaps tomorrow she will sweep its streets with her
frozen, brutal rule. But that does not matter. Because tonight, she dances.
Tonight, the world stops, and marvels at her silent, delicate beauty.
Three: Lead Me Home by Rose Williams -
This beautiful story has been short-listed for the Connected Creatives - 500 Words Malala Competition - November 2020. Well done Rose!
There are so many people. The whole room buzzes with
meaningless chatter and the undertones of a dulcet melody nobody is listening
to. I hug the overly-decorated walls, trying to breathe through the thick fog
of humanity, to no avail. There are so many people. I've stopped noticing the
differences between everyone, stopped recognising faces or voices or names or
clothes. It's all just people - familiar and unfamiliar faces all merged into
one, smiling colony. They approach me – perhaps an old friend, or perhaps a
total stranger – and they ask me how I am, and I respond with a smile and ask
how they are, and they'll respond with a smile and ask about you, and the cycle
goes on, and on, and on. And none of us really care. We came to the party
because we were invited, not because we wanted to be here. I watch the town,
for the whole town seems to be here, from the outskirts. I nod to the music and
smile at strangers, but I'm not really here. Maybe my body is here, but my mind
is across the town, at home, with you. Because the whole town seems to be here,
apart from you.
So I'll slip out, through the front door, and they won't
notice. I'll walk through the deserted streets, through the still and silent
night, away from all the life and the noise and the people. And I'll come home,
because I know that you'll be there, and we'll share a bowl of popcorn on the
sofa together. And you'll make me watch that dumb romance film that you're
obsessed with, and then you'll laugh at me because I cry every time we watch
it. And then we'll play that old video game, and I'll lose again because you're
so damn competitive, and I'll say that I let you win, but we'll both know I'm
lying. And we'll order a pizza and spend the night laughing at our stupid
inside jokes, and then the sun will come up and we'll both be so tired, but
it'll be okay because it's Sunday tomorrow and we can sleep in.
And maybe the town will talk about how great that party was,
and how nice the food was, but really, it was the same as all the other ones
they've been to, and in a week's time it'll be just another date in the
calendar. And maybe people will think that we're unsocial or that we're
outsiders, because the whole town was there except for you and me. And that'll be
okay. If I could leave this town, this planet, and take you with me, I would.
Because we don't need anyone outside of each other. Because of all the people in this small town,
only you have the power to make me feel less alone.
Four: Edge of Infinity by Rose W
The dog and I sit in perfect solitude atop the red,
rusting truck and watch the stars together. It's the edge of infinity. It's a
window into the universe. It's the end of the world, the end of all things
human and urban. There is no right. There is no left. There is only cracked
earth and endless sky.
The air is still warm and summery, laced with the
aftertaste of the August twilight mixed with the gentle touch of midnight's
cool caress. She envelopes the land with her diamond-studded blanket and keeps
us safely wrapped up in this moment, right here, right now.
The gentle rise and fall of the dog's chest is the only
movement for miles, save for the occasional turn and shuffle as he shifts
position on my lap. We breathe in unison, and the sky breathes back, brushing
out hair with her soft, cold whisper. She speaks of endless nights and starry
skies, and the promise of an evening which on which dawn can't break. We know
that she lies, we know that tomorrow will come, and she will leave us to go
back to our lives, but for now, we believe her, because it's such a beautiful
lie, and what's the harm in believing beautiful lies?
The horizon lies flat and vast, broken only by the
occasional dark cacti silhouette protruding from the empty terrain.
All is calm.
All is perfect.
What time is it? I don't recall. It's a land without
time, a land free from the human shackles of deadlines and clocks and alarms.
There are no days, no hours, no minutes, no seconds. There is only now. Perhaps
tomorrow, when the sun bleeds dawn on the horizon, we'll be met with the
worries and responsibilities of a new day. But we don't need to think about
that now. Now, we breathe, and we sit, and we watch the stars, and the world
keeps turning, a grain of chaos on the eternal shores of a silent void.
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